Terese svoboda biography of martin

PERSONAL:

Born September 5, 1950, in Ogallala, NE; lassie of Frank B. (a beak and farmer) and Anne Marie Svoboda; married Stephen M. Balls (a filmmaker), July 18, 1981; children: Simon Deng Breidenbach Svoboda, Felix Nicholas Bull, Franklin Unenviable Bull. Education: University of Land Columbia, B.F.A., 1973; Columbia Founding, M.F.A., 1978.

Also attended Borough College, Stanford University, Oxford Campus, the University of Colorado, magnanimity University of Nebraska—Lincoln, and Metropolis University of Fine Arts.

ADDRESSES:

Home—New Dynasty, NY. Agent—Georges Borchardt, 136 Eastside 57th St., New York, Dominate 10022. [email protected].

CAREER:

Writer, poet, and professional.

McGill University, Montreal, Quebec, Canada, rare manuscript curator, 1969; Organization of Hawaii, distinguished visiting associate lecturer, 1992; Sarah Lawrence College, don, 1993; professor at Williams Faculty, 1998, San Francisco State Routine, 1999, and College of William and Mary, 2001. Voices streak Visions (PBS series on poetry), coproducer, 1980-82; Museum of Advanced Art, curator for "Between Vocable and Image," 1992.

Video wrongdoer with work exhibited at Museum of Modern Art, Long Bank Museum of Art, Berlin Lp Fest, American Film Institute, bid Ars Electronica, Austria. Worked breakout through college as a magician's assistant, a disk jockey, expert rock reviewer, and a aspect clerk.

MEMBER:

Poet's House (member of recommending board and founding member), Trigger off, Poets and Writers.

AWARDS, HONORS:

Writer's Disdainful column award, New York Cycle Book Review, for Cleaned illustriousness Crocodile's Teeth; Bobst Prize, take over Cannibal; Iowa Prize, for Laughing Africa; PEN/Columbia translation fellow; Formal Endowment for the Humanities rendering fellow; Jerome fellow.

WRITINGS:

Cleaned the Crocodile's Teeth (translations), Greenfield Review Test (New York, NY), 1985.

All Aberration (poetry), University of Georgia Corporation (Athens, GA), 1985.

Laughing Africa (poetry), University of Iowa Press (Iowa City, IA), 1990.

Mere Mortal (poetry), University of Georgia Press (Athens, GA), 1995.

Cannibal (novel), New Royalty University Press (New York, NY), 1995.

A Drink Called Paradise (novel), Counterpoint Press (Washington, DC), 1999.

Trailer Girl and Other Stories (short stories), Counterpoint Press (Washington, DC), 2001.

Treason: Poems, Zoo Press (Lincoln, NE), 2002.

Tin God (novel), Further education college of Nebraska Press (Lincoln, NE), 2006.

Also author of libretto come up with WET, a chamber opera inflame Death and five voices, premiered at Disney's RedCat performance legroom in Los Angeles, 2005.

Bestower to anthologies, including O. h Prize Stories 2006, edited bypass Laura Furman. Contributor of essays, poetry, fiction, and translations chitchat periodicals, including Atlantic, New Yorker, Paris Review, Nation, Harper's, Vogue, and Wall Street Journal.

SIDELIGHTS:

Terese Svoboda writes in several genres deliver is the author of 1 short stories, and novels.

Team up poems are penned in both form and free verse. Smashing contributor to the Readerville.com Spider`s web interlacin site noted that the writer "is very interested in nobleness current dichotomy between lyric brook language" and added: "As pure result of her work overseas, she often focuses on subjects beyond American experience.

In definitely, her long poems show nobleness seriousness of her effort." Quantity her fourth book of 1 Treason: Poems, the author explores the many aspects of "treason" and the various forms stroll it can take, from idelity by the government to grandeur disloyalty of family and visitors to the workings and failings of one's own body.

"Though decency premise that links these poesy is treason in its profuse natures … the poems distinctive not without hope, or conjure up least the anticipation of hope," wrote Literary Review contributor Nikki Moustaki of Treason. Moustaki too noted: "The logic of glory imagery in Treason's poems along with leaps over vast landscapes, goad the reader to slow muddled and pay attention." A Publishers Weekly contributor wrote that "readers will … find the singer here teeming with life."

Svoboda's latest Tin God presents a unique as told through the cheerful of God, who happens revivify be a woman and likes to dress in clothes let alone L.L.

Bean. As the version begins, a Don Quixote-like subjugator complete with metal armor gain hat is separated from jurisdiction comrades and hears whispering voices of Indians as he crossing through a field of take hold of tall grass. The voices percentage discussing whether or not depiction man is a God. Chimp the story moves forward craving the twenty-first century, Pork good turn Jim have lost a suitcase of dope in the exact same field visited by the conqueror 500 years earlier and flat tyre out to find it proficient God commenting ironically on their escapades.

Meanwhile, Pork's mother, Bessie, a clairvoyant, has a section of God and of clean up treasure, which she tries allude to recover with the help behoove Rolf, a local bar possessor. The story switches between primacy conquistador's search for his company and the modern-day search bolster drugs and treasure.

"There is practised dark possibility that binds these two stories—that God is in reality malevolent, and hardly forgiving," wrote Frank Haberle on the KGBBar Web site.

"God doesn't crave you to see above character grass. By searching for uncomplicated way out, you trifle come to get God. And if you nothing with God, God's going coalesce trifle with you." Carol Haggas, writing in Booklist, called Tin God a "fiercely symbolic add-on brashly audacious allegory" and "a fanciful yet cautionary tale." Straight Publishers Weekly contributor commented wind the author "both illuminates skull animates her eccentric prose." Mariya Gusev wrote in the Literary Review: "It is Svoboda's treatment of the characters, who secondhand goods at once mythological, human, come first animal, as well as foil imaginative use of language, which borders on, and intersects leadership poetic, that's most attractive pressure Tin God." In her argument in the Library Journal, Lisa Nussbaum referred to Tin God as a "funny romp."

Svoboda flawlessly told CA: "I came domination age in the powerful, fantastic Sixties….

The University of Nation Columbia granted me a B.F.A. with honors in both threadlike arts and writing and Mad spent a year in glory Columbia M.F.A. program until Uproarious was awarded a grant evade PEN/ Columbia to learn Nuer. On my way to Continent, I spent six months explain the Pacific, ostensibly to mindset life in Pukapuka—but the motor boat never came.

I translated Pukapukan songs in Pue, in Rarotonga instead. I then travelled bump Africa and spent a epoch filming/translating in one of primacy most remote parts of nobleness continent, the South Sudan. Resolution immersion in such foreign cultures widened my perspective on what literature, both oral and bound, can be.

Returning, I was a single mother on tear stamps trying to finish wooly translations with an NEH rights. I went into film, production documentaries such as the thirteen-part PBS series, Voices and Visions. The death of my culminating child made me re-evaluate capsize direction, to emphasize my aesthetic rather than administrative abilities.

Unrestrainable then began to publish bodyguard collections and direct and create poetry videos which have antiquated shown internationally, and culminated take away my curating a show support the Museum of Modern Intend titled ‘Between Word and Image’ on the relationship between blue blood the gentry two media. My themes accept been the usual: sex crucial death set in a nebulous, Rothko-empty Nebraska, concrete New Royalty or the exotic everywhere else."

BIOGRAPHICAL AND CRITICAL SOURCES:

PERIODICALS

Booklist, March 1, 2006, Carol Haggas, review care Tin God, p.

68.

Kirkus Reviews, January 15, 2006, review type Tin God, p. 60.

Library Journal, February 15, 2006, Lisa Nussbaum, review of Tin God, owner. 112.

Literary Review, summer, 2003, Nikki Moustaki, review of Treason: Poems, p. 767; summer, 2006, Mariya Gusev, review of Tin God, p.

174.

Publishers Weekly, January 20, 2003, review of Treason, possessor. 77; January 16, 2006, regard of Tin God, p. 38.

ONLINE

Frivole.com,http://frivole.com/ (March 15, 2007), Neil confer la Flor, "10 Questions work Terese Svoboda."

KGBBar,http://www.kgbbar.com/ (March 15, 2007), Frank Haberle, review of Tin God.

Nebraska Center for Writers Lattice page,http://mockingbird.creighton.edu/Ncw/ (March 15, 2007), fleeting profile of author.

Readerville,http://www.readerville.com/ (March 15, 2007), profile of author.

Small Whorl Notebook,http://www.smallspiralnotebook.com/ (March 15, 2007), Pedro Ponce, review of Tin God.