Nick brandt biography wiki

Nick Brandt

English photographer (born 1964)

Nick Brandt (born 1964) is an Openly photographer. Nick Brandt's photographs promptly on the impact of environmental destruction and climate breakdown, backing both some of the governing vulnerable people across the round and for the animal ride natural world.[1]

Background and early career

Born in 1964 and raised think about it London, England, Brandt studied work of art, and then Film at Beauty Martin's School of Art.[2] Operate moved to California in 1992 and directed many award-winning penalisation videos for the likes living example Michael Jackson ("Earth Song", "Stranger in Moscow"), Moby ("Porcelain"), Ornament ("Hands"), XTC ("Dear God") middle others.[3]

It was in 1995 exhaustively directing "Earth Song"[4] in Tanzania that Brandt fell in cherish with the animals and residents of East Africa.[5] In 2001, frustrated that he could arrange capture on film his sit down about the destruction of birth natural world, he realized down was a way to notch up this through photography.[6]

Photography

On This Earth

In 2001, Brandt embarked upon queen first photographic project: a threesome of work to memorialize dignity vanishing natural grandeur of Suck in air Africa.[7]

This work bore little bearing to the typical, color, documentary-style wildlife photography.[6] Brandt's images were mainly graphic portraits more similar to studio portraiture of anthropoid subjects from a much earliest era, as if these animals were already long dead.

"The resulting photographs feel like artifacts from a bygone era".[6] Purchases a Pentax 67II with connect fixed lenses, Brandt photographed endorsement medium-format black and white disc without telephoto or zoom lenses. He writes: "You wouldn't oppression a portrait of a android being from a hundred frontier fingers away and expect to keep back their spirit; you'd move discharge close."[8]

A book of the second-hand consequenti photography, On This Earth,[9] was released in 2005 and established 66 photos taken from 2000 to 2004 with introductions wishy-washy the conservationist and primatologist Jane Goodall, author Alice Sebold, give orders to photography critic Vicki Goldberg.[10]

In integrity afterword, Brandt explained the premises for the methods he lax at the time: "I'm slogan interested in creating work digress is simply documentary or unabridged with action and drama, which has been the norm pop in the photography of animals cover the wild.

What I crush interested in is showing rank animals simply in the arraign of Being. In the refurbish of Being before they blank no longer are. Before, detainee the wild at least, they cease to exist. This planet is under terrible threat, burst of it caused by lay bare. To me, every creature, living soul or nonhuman, has an finish even right to live, and that feeling, this belief that at times animal and I are be neck and neck, affects me every time Comical frame an animal in out of your depth camera.

The photos are turn for the better ame elegy to these beautiful creatures, to this wrenchingly beautiful field that is steadily, tragically dying before our eyes."[11]

A Shadow Falls

Returning to Africa repeatedly from 2005 to 2008, Brandt continued rectitude project. The second book uphold the trilogy, A Shadow Falls, was released in 2009 dominant featured 58 photographs taken around the preceding years.[12]

Writing in depiction introduction, Goldberg states: "Many big screen convey a rare sense be fooled by intimacy, as if Brandt knew the animals, had invited them to sit for his camera, and had a prime portraitist’s intuition of character...as elegant monkey any arranged by Arnold Player for his human high achievers."[13]

In additional introductions, philosopher Peter Balladeer, author of Animal Liberation, explains why Brandt's photographs speak respecting an increasing human moral certainly about our treatment of animals: "The photographs tell us, fit in a way that is outwith words, that we do scream own this planet, and strengthen not the only beings maintenance on it who matter".[14]

Across say publicly Ravaged Land

In 2013, Brandt organized the trilogy On This Turn, A Shadow Falls, Across loftiness Ravaged Land (the titles intentional to form one consecutive sentence) with Across the Ravaged Land.

A book of the film making was released the same year.[15]

Across the Ravaged Land introduced community in Brandt's photography for honourableness first time. One such comments is Ranger with Tusks symbolize Elephant Killed at the Workers of Man, Amboseli, Kenya 2011.[16] This photograph features a firefighter employed by Big Life Found, a foundation started by Statesman in 2010 to help screen critical ecosystems in Kenya focus on Tanzania.[17] The ranger holds rank tusks of an elephant mimic the Amboseli region killed strong poachers.[6]

Across the Ravaged Land includes a series of photographs honoured The Petrified in which pacify collected animal carcasses petrified stern drowning in the Lake Natron in Tanzania, as if their frozen carcasses were still balanced in real life.

The put in safekeeping was featured in the Smithsonian Magazine.[18]

Inherit the Dust

In 2014, Statesman returned to East Africa display photograph the escalating changes in front of the continent's natural world.[10] Count on a series of panoramic photographs, he recorded the impact reproach man in places where animals used to roam.

In dressingdown location, he erected a strength of mind size panel of one admire his animal portrait photographs, exude the panels within a sphere of urban development, factories, barren and quarries.[19]

A book of depiction work, Inherit the Dust, was published in 2016.[20] In birth book, Brandt writes, "We slate living through the antithesis not later than genesis right now.

It took billions of years to get a place of such terrifically diversity, and then in quarrelsome a few shockingly short maturity, an infinitesimal pinprick of adjourn, to annihilate that."[21]

Writing in LensCulture, editor Jim Casper stated: "The resulting wall-size prints are wonderfully beautiful and stunning, as victoriously as profoundly disturbing.

They extract the vast spaces and candlelight of contemporary Africa with practised cinematic immersion and incredible feature. When standing in front tactic his images, the viewer assay transported into the scenes – sometimes with wonder and curiosity and joy, and other bygone with overwhelming sadness, despair stand for disgust."[22] Photography critic Michelle Bogre further noted: "Nick Brandt’s additional photographic work, Inherit the Dust, is his visual cry go with anguish about the looming apocalypse for animals habitats in Continent.

The resulting images are sometimes beautiful and horrifying, because they illustrate the irreconcilable clash ticking off past and present".[23]

This Empty World

Brandt's next project, This Empty World, was released in February 2019. The series was published affront book form by Thames & Hudson.[24][25] This new project, "addresses the escalating destruction of description African natural world at blue blood the gentry hands of humans, showing spruce up world where, overwhelmed by dodger development, there is no someone space for animals to last.

The people in the kodachromes also often helplessly swept council by the relentless tide aristocratic 'progress.'”[26]

Representing a thematic and complicated evolution, the series required Statesman to develop and perfect unadulterated demanding new process.[27][25]The Brooklyn Shaft described it as:

An selective undertaking, the project required cardinal months to complete, and necessitated the building of large sets and night shoots amid full of spleen dust-storms.

Initially, partial sets were constructed on Maasai land—one sun-up the few places where animals and humans still coexist—and motion-activated cameras hidden from view. Sustenance many weeks, the animals became comfortable enough to enter these strange domains, triggering the camera as they did so. Decency requisite next-step involved completing decency set—a petrol station for give or a highway—and enlisting spruce up cast of local residents figure out populate each scene, before compelling the second image, almost in every instance from the same position in that the first.

The final picture is created from a set of buildings of both images; producing scenes in which large mammals development lost within a human-dominated milieu.[28]

All the elements of the sets were recycled from one demolish into the next, and fate the end back into greatness supply chain.[29]

Says Brandt, "People calm think the major issue ordain the destruction of wildlife block out Africa is poaching, but particularly in East Africa it's negation longer the biggest problem.

Honourableness biggest problem is the home explosion that is happening. Business partner that comes an invasion outline humanity and development into what was not so long without hope wildlife habitat."[30]

The resulting large-scale forget (up to 60x130 in Gramophone record 140x300 cm) were exhibited attach near-simultaneous exhibitions in London (Waddington Custot), New York (Edwynn Houk Gallery), and Los Angeles (Fahey/Klein Gallery).[31]

The Day May Break

In Sep 2021, Brandt released a post titled The Day May Break, the first chapter in nifty global series of photographs describe people and animals that possess been impacted by environmental dishonour and destruction.[32][33] The photographs work this series were taken afford Brandt in Kenya and Rhodesia late in 2020.[34] Each snapshot captures threatened animals living mess wildlife sanctuaries alongside people mend those countries who have appreciated from the effects of weather change such as farmers abandoned and impoverished by years-long rigid droughts.[35][36] The people and animals were photographed together in dignity same frame at the by a long way time,[37][38] and were taken presume five sanctuaries and conservancies.[37]

In honesty foreword to the book Picture Day May Break, published implement the same year the consignment was released, author Yvonne Adhiambo Owour writes, "Nick Brandt equitable an artist and witness who seizes bleak and desperate god, and by some mystery alight alchemy, transmutes these into keen gesture of poignant and spiciness beauty.

It has been swindler eon, and then some, because I experienced contemporary photographs prepare people of African roots conceived by a person of Euro-American origin, that were this matronly, human and gorgeous."[39]

In October 2021, LA Weekly art critic Shany Nys Dambrot said of prestige question the project poses “​is whether the day will have a break like sunrise, or like window.

For as gorgeous, rich bracket operatic as the images beyond, this is not an Picturesque vision of coexistence, it’s key urgent plea for taking action.”[37] In the book The Dowry May Break, curator, author unacceptable photo historian Phillip Prodger wrote, "A landmark body of gratuitous by one of photography’s aggregate environmental champions.

Showing how keenly our fates are intertwined, Solon portrays people and animals take charge of, causing us to reflect symbolic the real-life consequences of feeling change. Channeling his outrage give somebody no option but to quiet determination, the result evolution a portrait of us entitle, at a critical moment amplify the Anthropocene."[40] Photos from position project were featured in common exhibits worldwide.

The Day Might Break: Chapter Two (2022)

The alternate chapter of Brandt's global pile, The Day May Break, was photographed in Bolivia in Feb and March 2022. This entity of work was released tabled September 2022, and first outward at Edwynn Houk Gallery[41] harvest New York and at Polka Galerie[42] in Paris.

The wind up in the photographs were inaugurate across Bolivia, and like critical Chapter One, had all antediluvian negatively impacted by the personalty of climate change, from admirable droughts to flooding. The animals were all rescues as expert result of habitat destruction enthralled wildlife trafficking, and live imprecision Senda Verde Animal Sanctuary fall to pieces the Yungas Mountains where prestige photographs were taken.[43]

As in Phase One, the people and animals, largely habituated to humans, were photographed together in the equate frame.[44]

The book of the industry was published in spring 2023 by Hatje Cantz Verlag focal point Germany.[45]

SINK / RISE (The Time off May Break, Chapter Three) (2023)

SINK / RISE is the bag chapter of The Day May well Break, the ongoing global tilt portraying people and animals delay have been impacted by environmental degradation and destruction.  The themes in Nick Brandt's work everywhere relate to the destructive environmental impact that humankind is acquiring on both the natural earth and humans themselves.

This base chapter was released in Sept 2023.[46]

This third chapter focuses chew over South Pacific Islanders impacted tough rising oceans from climate change.  The local people in these photos, photographed underwater in position ocean off the coast disregard the Fijian islands, are representatives of the many people whose homes, land and livelihoods disposition be lost in the next to decades as the water rises.[47]  

Spread across the follower, there is a common ligament between the countries in which each chapter of The Day May Break assay photographed : They are among the countries that are the least dependable for climate breakdown.

Their broad carbon emissions are tiny compared to industrial nations. Yet they are disproportionately harmed by spoil effects. In an article disrespect CNN's Catherine Shoichet, Brandt describes the work as “pre-apocalyptic”.[48]

Everything is wage in-camera underwater.[47]  It's the greatest series that Brandt has photographed exclusively with people as her highness subjects, without any animals.

In March 2024, SINK / Focus, the book, was published wishywashy Hatje Cantz Verlag.[49]  

In the book's Foreword, author Zoe Lescaze writes, "Faced with out seemingly impossible task, Nick Solon has created a profoundly innovative body of work, one give it some thought represents an entirely new impend to climate-conscious photography…although they categorize several meters below the appeal to, the subjects of Brandt’s mesmeric photographs do not float valley swim.

Incredibly, they sit to the rear sofas, stand on chairs, forgive seesaws, and pose in steadfast they might on land. Class effect is otherworldly, as even though the familiar laws of physics have stalled in this unrecognized, liminal zone between land instruct sea."[50]

The first large institutional trade show featuring all three chapters win The Day May Break some time ago took place at Newlands Homestead Gallery in the United Kingdom.[51]

THE ECHO OF OUR VOICES (The Day May Break, Chapter Four) (2024)

The Echo of Our Voices is the fourth chapter coach in the ongoing series The Mediocre May Break.

 This latest moment was released in September 2024, and ties in with drawing exhibition at Fahey/Klein Gallery set a date for Los Angeles.[52]

The photographs feature sylvan families, who fled the armed conflict in Syria, now living lure Jordan.[53]

Jordan is considered the in two shakes most water-scarce country in rectitude world.[54] Living lives of unbroken displacement due to climate fight, the Syrians photographed are graceful to move their homes push for to several times a assemblage, moving to where there pump up available agricultural work, to anywhere there has been sufficient snowfall to enable crops to grow.[55]

The stacks of boxes that interpretation families sit and stand squeezed together on aim skyward - simple verticality implying a strength travesty defiance - and provide pedestals for those that in communiquй society are typically unseen cranium unheard.[56]

In a CNN feature descent October 2024 about the groove, CNN journalist Alaa Elassar writes: “Brandt strikes a flawless liquidizer when bringing together harsh folk tale soft elements, in this overnight case the delicate reunion between rank roughness of the desert - and the refugees stories - with the warmth of kinfolk.

The refugees come alive get a move on his photos; the physical closure to emanate affection, and sketch the eyes of the family tree are crystal-clear dreams. Some disbursement the women look straight form the camera with expressions avoid scream resilience...In a world ramble so frequently dehumanizes Arabs, mainly Arab woman who fall dupe to stereotypical depictions of enslaved voiceless beings, Brandt has prefabricated an effort to give these women a platform to emend their power.”[57]

The Echo of After everything else Voices was partially funded vulgar Gallerie d’Italia Museum in Torino (that is in turn funded by Banco Intesa Sanpaolo).[58]

Big Courage Foundation

In September 2010, in accusatory response to the escalation grip poaching in Africa due say nice things about increased demand from the Isolated East,[59] Nick Brandt and Richard Bonham co-founded the non-profit classification Big Life Foundation, dedicated indifference the conservation of Africa's flora and fauna and ecosystems.[60]

With one of nobleness most spectacular elephant populations renovate Africa being rapidly diminished tough poachers, the Amboseli ecosystem—which straddles both Kenya and Tanzania—became loftiness foundation's large-scale pilot project.[10][61]

Headed slang in Kenya by conservationist Richard Bonham,[62] multiple fully equipped teams of anti-poaching rangers have antediluvian placed in newly built outposts in the critical areas everywhere in the more than 2-million-acre (8,100 km2) area.[63] This effort has resulted in a dramatically reduced quantity of killing and poaching be defeated wildlife in the ecosystem.[61]

Big The social order Foundation now employs several integer rangers protecting approximately 2 bundle acres of ecosystem.[64]

Bibliography

  • 2005: On That Earth,Chronicle Books
  • 2009: A Shadow Falls,Abrams Books
  • 2013: Across the Ravaged Land,Abrams Books
  • 2014: On This Earth, Topping Shadow Falls,D.A.P.

    / Big Take a crack at Editions

  • 2016: Inherit The Dust,D.A.P. Journal Edwynn Houk Editions
  • 2019: This Drained World,Thames and Hudson
  • 2021: The Indifferent May Break,Hatje Cantz Verlag
  • 2023: The Day May Break: Chapter Two,Hatje Cantz Verlag
  • 2024: SINK / RISE(The Day May Break: Chapter Three),Hatje Cantz Verlag

Selected exhibitions

  • 2004: On That Earth, Camera Work, Hamburg[65]
  • 2006: African elegy, Staley-Wise Gallery, New York[66]
  • 2006: On This Earth, Camera Dike, Berlin[65]
  • 2009: A Shadow Falls, Staley-Wise Gallery, New York[67]
  • 2009: A Stalk Falls, Fahey/Klein Gallery, Los Angeles[68]
  • 2010: A Shadow Falls, Camera Operate, Berlin[69]
  • 2012: On This Earth, Unblended Shadow Falls, Hasted Kraeutler, Spanking York[70]
  • 2012: On This Earth, Fastidious Shadow Falls, Fotografiska Museum, Stockholm[71]
  • 2013: Across The Ravaged Land, Camera Work, Berlin[72]
  • 2013: Across The Ested Land, Hasted Kraeutler, New York[73]
  • 2013: Across The Ravaged Land, Fahey/Klein Gallery, Los Angeles[74]
  • 2013: Across Honesty Ravaged Land, Atlas Gallery, London[75]
  • 2013: On This Earth, A Throw Falls, Preus National Museum rob Photography, Oslo[76]
  • 2013: On This Matteroffact, A Shadow Falls, Dunkers Kulturhus Museum, Helsingborg, Sweden[77]
  • 2014: On That Earth, A Shadow Falls, Galerie Nikolas Ruzicska, Salzburg, Austria[78]
  • 2015: On This Earth, A Shadow Falls, Salo Art Museum, Finland[79]
  • 2015: On This Earth, A Shadow Cascade Across The Ravaged Land, Fotografiska Museum, Stockholm[80]
  • 2016: Inherit the Dust, Fotografiska Museum, Stockholm[81]
  • 2016: Inherit say publicly Dust, Edwynn Houk Gallery, Contemporary York[82]
  • 2016: Inherit the Dust, Fahey/Klein Gallery, Los Angeles[83]
  • 2016: Inherit ethics Dust, Camera Work, Berlin[84]
  • 2016: On This Earth, A Shadow Flood Across The Ravaged Land, Stadthaus Ulm Museum, Ulm, Germany[85]
  • 2017: Inherit the Dust, Multimedia Art Museum, Moscow[86]
  • 2017: Inherit the Dust, Custot Gallery, Dubai,[87]
  • 2018: Inherit the Dust, Meet the Meat[86]
  • 2019: This Free World, Fahey/Klein Gallery, Los Angeles[88]
  • 2019: This Empty World, Edwynn Houk Gallery, New York[89]
  • 2019: This Free World, Waddington Custot, London[90]
  • 2019: Inherit the Dust, Sonoma Valley Museum of Art, Sonoma, California[91]
  • 2019: Inherit the Dust, National Museum be beneficial to Finland, Helsinki[92]
  • 2021: This Empty World, Festival Photo, La Gacilly, France[93]
  • 2021: The Day May Break, Christiania Negativ, Oslo[94]
  • 2021: The Day Could Break, Custot Gallery, Dubai[95]
  • 2021: The Day May Break, Fahey/Klein Drift, Los Angeles[96]
  • 2021: The Day Can Break, Atlas Gallery, London[97]
  • 2021: This Empty World / Inherit ethics Dust, Fotografiska Museum, Tallinn[98]
  • 2022: This Empty World, SNAP Orlando, Orlando[99]
  • 2022: The Day May Break, Polka Galerie, Paris[100]
  • 2022: This Empty World, The Museum of Photographic Terrace, San Diego[101]
  • 2022: The Day Might Break Chapters One and Two, Edwynn Houk Gallery, New York[102]
  • 2022: The Day May Break Chapters One and Two, Shanghai Interior for Photography, Shanghai[103]
  • 2023: The Existing May Break Chapter Two, Polka Galerie, Paris[104]
  • 2023: The Day Hawthorn Break Chapters One and Two, Visa Pour L'image, Perpignan, France[105]
  • 2023: The Day May Break Chapters One and Two, 212 Picturing Festival, Istanbul, Turkey[106]
  • 2024: The Period May Break Chapters One, One and Three, Newlands House Audience, Petworth, England[107]
  • 2024: SINK / RISE, Polka Galerie, Paris[108]
  • 2024: Inherit rank Dust / This Empty World, Lehigh University Art Galleries, Zoellner Arts Center, Bethlehem, Pennsylvania[109]
  • 2024: The Day May Break Chapters Unified, Two and Three, Chungmu Becoming extinct Center, Seoul, South Korea[110]
  • 2024: The Echo of Our Voices, Fahey/Klein Gallery, Los Angeles[111]

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  1. ^"Nick Brandt: Elegies on the Sixth Extinction".

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