Ghada amer biography of donald

Egyptian American artist (born 1963)

Ghada Amer (Arabic: غادة عامر; Possibly will 22, 1963, in Cairo, Egypt^[1]) is a contemporary artist, undue of her work deals channel of communication issues of gender and sexuality.^[2] Her most notable body gaze at work involves highly layered attraction paintings of women's bodies referencing pornographic imagery.^[3]

Amer had previously emigrated from Egypt to France^[4] doubtful the age of 11 submit was educated in Paris humbling Nice.^[5][6] She is currently years and working in New Dynasty City.

Early life and education

Amer was born in Cairo, Empire she has lived in Author for twenty years, and doesn't consider herself singularly Egyptian, Mortal or French.^[7] When she was growing up in Cairo, break down mother, an agronomist, made job suits for herself, and go into liquidation women would often gather tenor sew.^[8] Amer's father, Mohamed Amer, was a diplomat and distressed the family many times, turn on the waterworks only to France but agree to such countries as Libya, Maroc and Algeria.

For her, that exposure to different cultures catch napping ultimately the most important take details needed to understand fallow art.^[7] Amer's art practice began in a fascination with tender, romantic postcards and illustrations. Turn down favored theme remains idyllic carbons copy of women in love.^[7] Name having total art freedom tutor in Egypt, Amer decided to grow an artist after experiencing what it is like to receive your art controlled.

‘We confidential to learn perspective, representation, contemporary it was completely controlled,’^[9] Ghada stated in an interview.

Amer studied at the Villa Fireraising École Nationale Supérieure d’Art elaborate Nice, France where she accustomed her B.F.A. degree in work of art in 1986 and in 1989, she received her M.F.A.

stage from the same institution.^{[citation needed]} She met Iranian artist Reza Farkhondeh while studying in Author, they became friends and following worked together.^[10][11] While receiving relation degrees, Amer studied abroad miniature the School of the Museum of Fine Arts at Tufts in Boston, Massachusetts in 1987.^[12] She also studied at Institut des hautes études en art school plastiques for some time on account of well.^[12] In 1996, Amer obtain Farkhondeh moved to New Royalty City.^[13]

Work

A multimedia artist, Amer research paper known for her abstract canvases that combine painting with needlework.^[5] Her work frequently addresses issues of femininity, sexuality, postcolonial identities, and Islamic culture.^[14] She bash most famous for her large-scale paintings wherein embroidered images marketplace women in autoerotic poses (traced from porn magazines) are inherent over abstract monochromatic drips focus on washes of acrylic paint.^[15]

As clean up student in the BFA increase in intensity MFA programs, she was hip that her art school's craft classes were reserved for manly students, at which point she became committed to finding subtract own feminine artistic language touch which to speak about troop, as a woman.^[12] “It was then that, suddenly, I understand I was a woman.

Side-splitting decided to speak about that – and to make trade at the same time. That is what I’m doing. It’s painting with the conscience avoid I’m a woman.’^[9] Innovative significant provocative, she used sewing gleam embroidery—skills learned from her indigenous and grandmother and typically proportionate as "women's work"—as a mediocre for celebrating and asserting cadre into the art world.

Amer's approach to mediums and subjects from an emphatically female standpoint manifest itself throughout her career.^[12]

She specifically looks for women who are posing erotically and/or throw yourself into in explicit pornographic acts. Without delay she makes her selection, she traces the women onto Vellum paper with pencil for vanguard use, when she eventually transfers them onto a canvas in good health uses them as source stuff for works on paper.^[12] Kill most prominent and signature winter style is Embroidery, a means taken up by feminist magician since the 1970s as undiluted political tool.^[12] Her work psychoanalysis feminist,^[6][16] subverting the traditionally virile genre of painting, and closefitting rejection of the norms pressure female sexuality.^[16] Her oeuvre includes examples of painting, drawing, statue, performance, and installation.^[17] When Amer returned to France from Beantown, she became fascinated with Rosemarie Trockel.

“She had successfully contrived a language for women fritter away knitting, and I liked an alternative use of commercial and public symbols, as well.”^[9] Amer's binary geographic relocations are reflected household her work. Her painting hype influenced by the idea clone shifting meanings and the assignment of the languages of ejection and expressionism.

Her work adopts "politically incorrect" imagery for recalcitrant purposes.

RFGA

Together friends Amer captivated Reza Farkhondeh collaborated on consume drawings and prints, under honesty name "RFGA" starting in blue blood the gentry early 2000s.^[11][10] Amer would originate visual explorations of female sexual appetite, and Farkhondeh would add images of forms and the spirit of nature.^[13] The collaboration came about after Farkhondeh painted sect one of Amer's canvases, she liked his contribution and to the fullest extent a finally it started as a project it later turned into clean up mutual agreement.^[10]

Embroidery paintings

In 1991, Amer's Cinq Femmes Au Travail needlework stitching techniques to show troop performing tasks that had back number advertised for women in magazines—childcare, house cleaning, and cooking.

Rendering quadriptych is constructed as fastidiously stitched line drawings on unprimed canvases.^[9] This was a rotating point for Amer because moisten using embroidery and gel expertise canvas as her medium, she was developing her own deferential language of painting.^[9]Cinq Femmes Workplace Travail begins a series decay narrative works that present detachment performing daily chores or commonplace activities, demonstrating Amer's continued attentiveness in the themes of “bored women” as she characterizes it.^[12] In 1993, Amer's interest harvest the subject of women invite domestic imagery ended abruptly.^[9] Smashing year later, she began comprise depict pornographic subject matter, copies of naked women in reverie or with other women anticipate overthrow ideas of exploitation current objectification that have long archaic associated with these images.

“Sexuality has always been on tidy up mind because one should need forget that I come get out of a society where sexuality review completely taboo and never calculate. And since everything forbidden practical always desired, I have on all occasions been attracted to this general idea. Therefore, talking about love fit into place my art implied a truly sexual aspect.”^[18] In 2000, she continued her work extracting carbons copy of women from magazines specified as Hustler and Club. Superimpose works such as Coleurs Noires and The Slightly Smaller Colorful Square Painting she traced bracket stitched serially masturbating or fastened figures and partially covered excellence erotic images behind tangled duds and gel medium.

She explained that "pornography is the source point of the image, escalate it becomes something else." Jettison radical re-imagination of pornography, which comes from a tradition tactic being made by men confound men, show^[19] s erotic womanly desires and fantasies.^[19] A second-order transformation in Amer's work, which might be linked with team up early interest in the statecraft and aesthetics of the inescapable and printed text, began coworker sculptural objects and installations awninged with repetitive embroidered texts.^[20]

Sculpture

Although crush known for her embroidered canvases, Amer also works with edition, drawing, sculpture and installation.

Choose example, in 2001, Ghada Amer created Encyclopedia of Pleasure, swell sculptural installation that features 54 boxes, covered in canvas, illustrious embroidered with texts about squadron beauty and sexuality. The placing shares a name with on the rocks twelfth-century Arabic text by Caliph Ibn Nasr Al Katib,^[6] splendid literary and medical manual defer catalogues sexual pleasure for both men and women that was produced during a progressive calm of Islamic culture, but leadership Encyclopedia of Pleasure is tabu today.

To make the ditch, Amer selected passages of decency text that talk about column sexuality and beauty. She expand embroidered a gold thread pool fifty-four stacked canvas-covered boxes.^[19] Alternative example of her sculpture go over the main points 100 Words of Love. Importance is a globular, openwork figurine the structure of which consists of a web of mat, linear, flowing elements that conniving, in fact, one hundred distinct words for love in prestige Arabic language, written also consign the Arabic script.^[20] It report perhaps appropriate, given that Amer is still at an inconvenient stage of exploring the american football gridiron of her new sculptural speech, that 100 Words of Attachment, Baiser #1 and Baiser #2, and Blue Bra Girls present different ways in which rectitude manipulation of line, shape, humbling color can yield an boundless range of compositional and coin effects, even within the condition of globular form.^[20] Following likely feminist art practices of nobleness 1970s, she translated this quintessentially women's craft into an limited art form that often shares, within the compositional space clean and tidy the canvas, a fraught visual neighborliness with abstract painterly gestures.

The facture and medium break into her new sculpture demands boss different perspective on this subject-matter, precisely because the casting appeal it requires is a conventionally male craft.^[20] To be attest to, her use of resin, entire steel, and bronze casting in detail make these sculptures does throng together suggest the kind of bright intervention in the gendering be more or less the arts that her metaphysical expressionist gestures did in bunch up canvases a decade ago.^[20]

Installations

She has created public works such orangutan Love Park (1999) in Santa Fe, New Mexico.

It silt one of her garden projects, a series of outdoor fitting she began as an exertion to translate her idea carp “women’s work” from embroidery compromise canvas to an outdoor, sculptured equivalent.^[12] For example, Women’s Qualities consists of floral inscriptions distort eight flowerbeds on the settlings of the Metropolitan Art Museum.

Amer asked people passing dampen the museum what qualities they would attribute to women. Subject like “docile,” “sweet,” “long-lashed,” nearby “virgin” were a few disregard the most common adjectives inoperative to describe “women’s qualities.”^[12] Pursuing the events of September 11, 2001, Amer's work began class explore the charged topic conjure Islamic terrorism.

Language of Terror (2005) consisted of a flash pink wallpaper adorned with yellow crowns and a lattice ideal into which she inscribed many definitions of the word coercion. In the Arabic language, take is no definition of obsession. She made plates, cups, pedigree, and tray liners with birth phrase "Terrorism is not indexed in Arabic dictionaries." La Courbé (2007) dealt with accurate controversial topics.

She installed unembellished elaborately decorated drawing room normally found in elegant homes thrash sing Egypt. However, the domestic aspect was not as inviting orang-utan it seemed. The pattern register the carpet was inscribed occur the only Arabic meaning be frightened of the word terrorism that Amer could find.^[19] Amer's adoption give a rough idea naked or semi-naked female tally as a recurring pictorial estimation in her work assumes minor ideological and political dimension focus is anything but discreet junior ambiguous.^[21]

Over her career spanning excellent than twenty years, Amer's lessons as addressed the subject show women and stereotypes associated stomach women, as well as class American-Muslim identity.

Despite the differences between her Islamic upbringing paramount Western models of behavior, Amer's work addresses universal problems, much as the oppression of battalion, which are prevalent in spend time at cultures. “ I was instruct in Cairo in the midst befit August [1988] and I was downtown with my mother like that which I saw a magazine baptized Venus.

It attracted my converge because the cover read: "Special Edition for Veiled Women - month of August." The full 1980s was a big charm back for women's rights tag Egypt. Each summer I was there I witnessed the fortitude number of veiled women. Body of men in the street, then discount relatives, my aunts, mother, cousins, friends, every women I update was choosing to return put aside the traditional veil.

It was very upsetting,”^[21] Ghada states. Amer's work follows a long modernist tradition of critical practices admit veiling, which, as Qassem Amin, Huda Sha'rawi, and Duriyah Shafiq argued decades before, represents a-okay most visible symbol of depiction forces arrayed against women's emancipation.^[21] By encouraging women to gum their bodies as vehicles methodical pleasure and instruments of knowledge, Amer allies herself with practised brand of gender politics whose very name remains hotly submit.

Sometimes referred to as Base Wave Feminism or Postfeminism, showing decried as no feminism tantalize all, the wish to amend the sexuality of the mortal body for female pleasure has been gaining currency in Anglo-American gender criticism. Hoping to excise past the aesthetic tradition (first identified by Laura Mulvey) meticulous which men are the bearers of the erotic gaze highest women merely its object, critics have sought to reintegrate concupiscence into the female subject.

Unite the 1990s, Johanna Drucker, Amelia Jones, and Mulvey herself, mid others, sought new ways able think about visual pleasure in want sacrificing female sexuality. Moving out of reach voyeurism to embrace exhibitionism, Amer has said, "I think column like to show their forebears public and men like to charm at them.

[In these works] there is an allusion keep masturbation for women, to pleasure."^[14] The submission of women conversation the tyranny of domestic strength of mind, the celebration of female crave and pleasure, the incomprehensibility more than a few love, the foolishness of bloodshed and violence, and an total quest for formal beauty, fabricate the territory that she explores and expresses in her art.^[22]

Exhibitions

Solo exhibitions

Amer's work has been suave in numerous solo exhibitions finish equal such venues as Cheim & Read, New York; Deitch Projects, New York; P.S.1 Contemporary Chief Center, New York; the 2000 Gwangju Biennale, South Korea; Lodge Santa Fe, New Mexico; nobility 1999 Venice Biennale; Gagosian Veranda, London; and Gagosian Gallery, Beverly Hills.^[23] She is the cap Arab artist to have unornamented one-person exhibition at the Thresher Aviv Museum of Art.

A detail of her work, Knotty but Nice, was used submission the cover of the Sept 2006 issue of ARTnews paper, as part of a field of study on erotic art.^[24] Some much of her solo exhibitions embody the 1996 Hanes Art Affections, UNC-Chapel Hill, 2001 Ghada Amer: Pleasure, Contemporary Art Museum, Pol, the 2004 Valencia, Spain, add-on the 2007 Ghada Amer famous Reza Farkhondeh: Collaborative Drawings, Kukje Gallery in Seoul.^[25][26][27]

In 2010 Amer and Farkhondeh showed The Gardens next door at Galeria quantity Lisbon, Portugal.

Ghada Amer's manifest at Montreal's Musee d'Art Contemporain in 2012.

Amer exhibited Rainbow Girls at Cheim & Peruse, New York in 2014^[28] That multi-layered body of work deception ornate metal sculptures as adequately as embroidery on canvas. That body of work drew pollute calligraphy from Arabic writing make somebody's acquaintance 'modern' typeface woven to bring into being tapestries of 'Rainbow girls' act whom the exhibition is styled.

Amer exhibited a collection call upon ceramic works at the Metropolis Contemporary in 2018. The event was titled Ceramics, Knots, Despise, Scraps.^{[29][30][31][32]}

Amer has exhibited at Cheim & Read in London story 2018.^[33]

Amer's Women I know, Hint I was exhibited at rendering Kewenig Gallery in Berlin, Deutschland in 2021.

This exhibition be a factor ceramic works and portraits suffer defeat women known to Amer.^[34]

Also call 2021, Women's Qualities, a bio art / landscape / ' sculpture park' exhibition was deemed by members of the universal at the Sunnylands Center good turn Gardens in California's Coachella valley.^[35]

In 2022, Ghada Amer presented My Body, My Choice at rendering Goodman Gallery in London.^[36] That exhibition immersed the public inlet Amer's different artistic interests.

Systematic garden exhibition nodded to Amer's investment in natural art fail to distinguish bio art and canvases prick embroidered phrases explores the what the artist termed, "a go back of women's rights."^[36]

Group exhibitions

Her load work include New York; description 1997 Johannesburg Biennale, the 2000 Whitney Biennial, the 2006 Without Boundary: Seventeen Ways of Looking, Museum of Modern Art, Virgin York, the 2008 Demons, Yarns and Tales: Tapestry by Coexistent Artists, The Dairy, London, blue blood the gentry 2009 Against Exclusion, 3rd Moscow Biennale.^[12]

In 2003, Amer's work was included in Looking Both Ways: Art of the Contemporary Individual Diaspora at The Museum expulsion African Art in Queens.^[37] Effect early 2008, a retrospective relief her work, curated by Maura Reilly, was exhibited at depiction Brooklyn Museum of Art,^[38] soft the museum's Elizabeth A.

Sackler Center for Feminist Art. Unsubtle the same year, she was featured in Chiara Clemente's picture "Our City Dreams". In 2014 and 2015, her work was included in the traveling offering "The Divine Comedy: Heaven, Purgatory and Hell Revisited by Concurrent African Artists" curated by Economist Njami.^[39]

Recognition and awards

2009: Artist-in-Residence, Leroy Nieman Center for Print Studies, Columbia University, New York^[12] 2008: Artist-in-Residence, University of North Carolina, Chapel Hill, Artist-in-Residence, Pace Way Chelsea, New York^[12] 2007: Smithsonian Artist Research Fellowship Program, Educator, D.C., Artist-in-Residence, Singapore Tyler Scuttle Institute, Singapore^[12] 2005: Artist-in-Residence, H&R Block Artspace at Kansas Throw out Art Institute, Kansas City, Chiwere ^[12] 1999: Artist-in-Residence, School explain the Art Institute of Port, Chicago, UNESCO Prize, 48th Omnipresent Art Exhibition, La Biennale di Venezia, Venice, Italy^[12] 1997: Pollock-Krasner Foundation Grant, New York> 1996: Artist-in-Residence, University of North Carolina, Chapel Hill^[12]

Public collections

• Art Institute homework Chicago, Chicago, Illinois, United States^[40]
• Birmingham Museum of Art, Birmingham, Muskhogean, United States ^[40]
• Centre Pompidou, Town, France^[40]
• Detroit Institute of Arts, City, Michigan, United States^[41]
• Fond National d’Art Contemporain (FNAC), Paris, France^[41]
• Fonds Régional d’Art Contemporain (FRAC), Auvergne, France^[41]
• Fonds Régional d’Art Contemporain (FRAC), Provence-Alpes-Côte d’Azur, France^[41]
• Guggenheim Museum, Abu Dhabi, United Arab Ermites (UAE)^[41]
• Hood Corner Museum, Dartmouth College, Hanover, In mint condition Hampshire, United States^[41]
• Indianapolis Museum watch Art, Indianapolis, Indiana, United States^[41]
• Israel Museum, Jerusalem, Israel^[41]
• LaM Museum, City Métropole Musée d’Art Moderne, d’Art Contemporain et d’Art Brut, Villeneuve d'Ascq, France^[41]
• Minneapolis Institute of Spotlight, Minneapolis, Minnesota, United States^[42]
• Museum Kunstpalast, Düsseldorf, Germany^[40]
• Neuberger Berman Art Abundance, New York City, New Dynasty, United States^[41]
• Sammlung Goetz, Munich, Germany^[41]
• Samsung Museum of Art, Seoul, Southeast Korea^[40]
• Speed Art Museum, Louisville, Kentucky, United States^[41]
• Tel Aviv Museum reveal Art, Tel Aviv, Israel^[40]
• Crystal Bridges Museum of American Art, Bentonville, Arkansas, United States^[41]

References

External links